2014 /
Synaptic
This series deeply explores the relationship between technology, structure and space. Through their compositions, the pieces evoke the interaction of complex systems, interpreted both in terms of technological networks and urban structures or even biological systems. The three-dimensionality of the layers and the interaction of color with geometric shapes invite us to reflect on how we organize and understand the environments we inhabit.
Taken together, the works suggest a contemplation of the invisible connections that shape modern life, showing how order and chaos coexist in the systems that structure our world.
Each piece is composed of several overlapping layers of wood, which generates a remarkable sensation of depth and volume. This technique brings them closer to sculpture than traditional two-dimensional painting, while the layers reveal an internal structure reminiscent of maps or circuits, suggesting intricate and interconnected networks.
Each piece is composed of several overlapping layers of wood, which generates a remarkable sensation of depth and volume. This technique brings them closer to sculpture than traditional two-dimensional painting, while the layers reveal an internal structure reminiscent of maps or circuits, suggesting intricate and interconnected networks.
The fragmentation of the surface into geometric blocks and modules seems to propose a reflection on the complexity inherent in the structures that surround us. These works address how we understand and organize space, information, and even human relationships in the contemporary world, where interactions and systems become increasingly intricate.
Although the pieces present a clear visual order, with precise lines and defined angles, they also convey a subtle sense of chaos. The multiple layers and intricate interplay of lines within geometric shapes evoke the idea that behind the apparent order lies a complexity that is difficult to unravel.
